Sammi: So just tell me your name – full name, and a little about you.
Erin: My name is Erin Nicole Sample. I’m a senior at Purdue, I’ve been dancing for two and a half years.
S: Cool. So what do you mean by “dancing”? What kind of dancing do you do?
Erin: So I started swing dancing two and a half years ago actually. My dance background is Irish dancing. I Irish danced for 10 years.
S: Woah. How’d you get into that?
Erin: I’m super Irish, and so is my grandmother. She got me into it.
S: Just like… suggested it to you?
Erin: The Toledo Zoo does performances in their amphitheater over the summer, and the ones that I ended up going to – she took me, hoping to get at least one of her grandchildren to be an Irish dancer, and it worked.
S: Having that as a dance background, what got you into swing dancing? What about swing dancing enticed you to want to start?
Erin: I had a really bad breakup, actually. I spent all of my time either in my office at work or in my dorm, and my boss is like “You need to go do something. I will pay for your membership fee for whatever, but you NEED to go do something.” And so we sat down and looked at stuff, and I was like “swing dancing sounds cool, maybe I could get back into something physical” and— oh my gosh, it’s been so great. I have a bad memory, and so doing things like ballroom where everything is choreographed and memory actually is important, I wasn’t able to do things like that. But because this is all social and you just need to learn individual pieces and parts and then you put it together as a couple, it’s been really great.
S: What’s your favorite thing about the fact that swing dancing is partner dancing? What’s cool about that?
Erin: Something that I think is interesting about partner dancing is if you mess up, you’re not the only one out there. Which is great, but something that is so unique about swing dancing and Lindy Hop is that it is a real conversation. I have legitimate input. In my dance history, I was told how to dance, told exactly what to do in what order, choreographed. So being able to choose my own story in a way has been incredibly transformative. I have changed SO much since two and a half years ago when I started.
S: Aside from just learning how to dance, do you think there’s been any other positive impacts dancing has had on you since that bad time in your life?
Erin: Yeah. It’s given me friends where I’m not an authority figure. Since I work at a church and I’m also a mentor in a program on campus, I’ve been an authority figure for a lot of people. Having friends in those places is nice, but I can’t form those relationships in the same way that I can here where it’s okay for a teacher to be really close to the students in this very open environment, while still also having people to keep everyone safe. It’s been great.
S: Is community is something you see outside of your own scene as well?
Erin: Oh yeah. I have tons of friends now because I’ve gone to a number of events where I’m like “Oh I remember this person! I don’t remember their name, but they go to IU and we talked about ice cream the last time we talked!” It’s been great to be able to connect to lots of people across the country.
S: Do you have – you mentioned “across the country” – do you travel for dance?
Erin: I haven’t been able to much this year, but last year I traveled a lot. I went to Lindy Focus, which is in North Carolina. And that was, oh my gosh, mind boggling large. It was— I’m a loss for words. It was huge. There were constantly good people to dance with, which is amazing.
S: Do you have a specific memory from traveling that you really hold dear?
Erin: Jamin Jackson’s sossed(?) me at Lindy Focus.
S: …elaborate?
Erin: So “sossed” is a word someone else told me exists, so I like to use it. It’s when you’re dancing with someone and at the end, they ask you to dance again. And you’re like OHHHHH. OKAY. Like you think “Oh! Yeah! Uh, okay!” So that was a lot of fun. Knowing that Jamin Jackson wanted to dance again with me was super dope.
S: Oh yeah. It can be really validating if people who are very good want to dance with you multiple times.
Erin: Yeah yeah yeah!
S: I think personally for me, I think it’s really interesting when talent doesn’t matter in those circumstances. It doesn’t matter that Jamin Jackson is way better than somebody.
Erin: And amazing and did the splits in jeans today!
S: Wow, really?
Erin: Yeah. He was “down, up” in like two counts. It was nuts. And then he just moved on. And I haven’t yet.
S: I find it really quite interesting dancers of that caliber really just don’t care—
Erin: They value other people, regardless.
S: Yeah, they don’t care who they dance with because everybody’s there to dance.
Erin: I think that’s something that’s really unique about our culture. I know in social tango it can be a bit of shame when you get rejected by someone for a dance. In tango you don’t ask, you don’t go up to someone and be like “Hey Sammi, would you like to dance?” You would just look at them from a distance, and if you don’t wanna dance with that person and they’re looking at you, you would look away. It’s just this shame of getting rejected to dance. And here we don’t have that. It’s very nice and as someone who— I recognize I am a woman, that can be a lot of pressure sometimes. I can only imagine if people of different types of oppression could feel similarly.